Designing With Web - Part 3: week 1
Remake car sharing experience for clubbers thanks to sound design
Group 117
Project 1: SoundClub
Context
when? where? who? why?
Do you remember riding in an Uber to a nightclub with your friends, and
having to endure your driver's entire CB of Alain Bachelet? When the
10-minute ride seems to last for hours, you don't feel like clubbing
much anymore when you arrive.
SoundClub would be an app created for clubbers, whose goal would be to
put them in the mood of the evening or to bring them home from the club,
safely. Indeed, for before a party, this kind of Uber-like app would
gather people who go to the same party, to put them in the party mood.
When you're done partying, the application would gather people according
to their point of departure and arrival obviously, but adding another
factor: if they want to calm down before arrinving home, on the contrary
if they go to the after party and put the mood back, if they're drunk
and allow them to alleviate the hangover, etc...
We would go with an UBER-like application, where the car and the driver
are shared. Indeed, we think it is safer to have a "professional"
driver, because when going to or coming back from an evening party,
people are likely to have alcohol in the system.
Cars for carpooling wouldn't really need any equipment except USB or
bluetooth outputs to be able to put the sounds in the car. Moreover, as
it's already a well established system, we would just need to have the
application. So we'd like to start setting up in France, with a focus on
big cities (where we'd advertise in priority). Then, we could easily go
on the European market, or even worldwide.
Target
for whom?
We target clubbers, mostly in big cities. In those cities, there is
often a great amount of clubs and after-parties, but no way to ensure a
great ride between two locations (for instance, public transport stops
at a certain time). As the new generations go out less and less in
nightclubs, the places where they go out are diversifying; street-food
night markets, pubs and bars, but there is also a resurgence of parties
that take place in "private" homes - someone throwing a party at his own
place, with more or less people.
So you don't want to be the zero-alcohol driver anymore ? You don't want
to be listen to your boring - or worse, silent UBER driver anymore ? But
you want to discover people and music? Try SoundClub, what are you
waiting for ?
Service offered
what? how?
The app allows clubbers to find the best-shared car experience heading to
or leaving the club thanks to Uber-like services and an adaptative
playlist offer. As you fill in which experience you seek, the app find
your best partners in crime. Here we go, let's ride to the club!
-
Gather and share music with your fellow clubbers while heading to the
club !
Either with pre-existing sounddesign playlists depending on the kind
of music (electro, rap, etc.) or sounds (more or less rhythmic, loud,
fast, instruments), or nightclubs can create playlists similar to what
will be played in the club, or individuals/clubbers can create their
own playlist. Functionalities would notably allow you to synchronize
what you are listening to with another car.
-
Gather people according to which after-party experience your seek !
Want to go to an after party? The app helps you set the mood
thanks to music shared with clubbers heading to the same after parties
directly in the car. Want to head back home? The app helps you find
people seeking some rest and put some calm music to relax. Want to
alleviate the hangover? The app helps you with fine therapeutic
sounds.
Identity
describe the universe around your service by creating a
mood board
and name your service accordingly
Benchmark
List concurrents / relative projects and describe how they
relate/differentiate to your project
-
UBER : UBER is obviously the
reference when it comes to apps that put users in contact with drivers
carrying out transport services. Our application will be similar, with
the addition of a fun complementary feature: the ability to easily
share sound playlists with the driver/car, but also, in addition to
choosing your car, you can choose the "atmosphere" you want to ride
in.
-
Kapten,
Bolt,
Taxi G7,
Lyft : These applications are
direct competitors of Uber - and therefore also ours. But none of them
allow the user to choose the music/sounds and atmosphere, and none of
them are explicitly positioned on the clubber market and segment.
-
Spotify,
Deezer,
Tidal,
Apple Music,
YouTube Music : These
applications are music streaming services. They have a huge catalogue,
and you can either choose a playlist, or create a custom playlist
functionality. An offline listening feature is available for Premium
subscribers.
-
100’s of Buttons and Sounds
: This application is a massive soundboard with a massive sound
effects collection (phone ring, ice cream truck song... you name it
!). For our musical part, we would need to have a playlist of composed
melodies made of sound effects.
-
Atmosphere Sound Apps
: Atmosphere is a small series of sound apps for sleep, relaxation or
meditation, which offer up a variety of sounds (like birdsong or the
sound of the waves, etc.). You can mix and match the ones you want.
Our application would be similar in terms of sound catalogue.
References
books/films/articles/...
Project 2: AutOrchestra
Context
when? where? who? why?
When you're a clubber, the nightclub isn't your only place of choice.
You also like concerts, festivals, student events or even
demonstrations. Basically all the places where you can party and have
fun with your friends or people you don't know before.
Our project would focus mainly on France at first, targeting mainly
large cities (Paris, Lyon, Marseille, Bordeaux, Lille etc...).
Car sharing is a real experience to pass on and share and can be
organized before an event of such magnitude. The objective is that
people going to the same event can have a good time: it's a pure car
sharing experience! An opportunity to live the carpooling experience to
the fullest thanks to the sound design.
So we focus only on the carpooling experience through sound design. Our
application will be used once people are connected via the classic
applications that already exist (such as BlaBlaCar).
Target
for whom?
Young people under the age of 30 are our main target. Indeed 95% of
clubbers are people under this age group. As for carpooling, BlaBlaCar,
which is the European and French leader in carpooling, explained that
more than half of the users (53%) were under 29 years old. Aware that
the project can be extended to festival-goers in general, for the moment
we prefer to focus on a fairly young age group that is more likely to
adhere to sound design. At the moment we prefer to focus on a fairly
young age group that is more likely to adhere to our project based on
sound design. In the same way, our solution will be especially useful
for long-distance journeys, which is mainly the case as highlighted by
the main networking platforms such as BlaBlaCar.
Service offered
what? how?
The sound design would allow you to be truly immersed with other
passengers to share sounds using a collaborative application that has
different instruments (piano, synthesizer, guitar, drums), turntables
and tools to produce sound:
-
Live a moment of sharing with people you already know (friends,
family) or with people you didn't know before.
-
We are convinced that the carpooling experience can be better if a
certain challenge is present. That's why we offer the users of our
application the possibility to make recordings not only to share their
sound but also to participate in the challenge. In fact, we propose a
monthly election of the best sounds that have been produced and reward
them with prizes that will be defined.
-
We try to include all the people in the car (driver and passenger(s))
to participate in the design of the sounds. However, in the interest
of road safety, we will put in place a sound equalizer so that the
driver is not surprised or scared by a sudden noise. Similarly, the
driver and passengers must be aware that they have to pay attention to
others and therefore must be able to listen and hear outside sounds.
Identity
describe the universe around your service by creating a
mood board
and name your service accordingly
Benchmark
List concurrents / relative projects and describe how they
relate/differentiate to your project
-
GarageBand :
This application, adapted from a Mac software, allows you to play and
loop a variety of instruments, from cello and acoustic guitar to drums
and synths, using the iPhone’s touchscreen. But it’s for iOS only !
-
FL Studio Mobile
: Similar tot GarageBand, it is a very advanced audio-editing app,
where you can also add audio effects. It also syncs the projects
between devices.
-
Loopimal : Loopimal is
very colourful, intuitive and uncluttered, and especially developed
for children.
-
DJ Studio 5
: Turntables allows you to have (almost) real turntables on your
phone. The application allows you to mix, remix, scratch, loop, pitch,
but above all save and share them on Facebook.
-
SoundCloud : SoundCloud is close
to our concept. Indeed, it is an audio distribution platform on which
users can collaborate as well as promote and distribute their own
musical projects.
-
Smule : With this application,
you can sing and compose music with friends and fans from all over the
world.
References
-
To know more about the age of clubbers
"L'âge moyen des clubbers"
(étude);
-
To know more about the car sharing in France and mostly about
BlaBlaCar
"L'âge moyen des co-voitureurs"
(étude);
"Real-Time Ridesharing: Exploring the Opportunities and Challenges
of Designing a Technology-based Rideshare Trial for the MIT
Community"
(étude);
-
To learn more about sound design
"Le guide ultime du sound designer. "
According to George Lucas, "sound is half the experience". The sound
designer's ultimate guide is the absolute guide to recording, editing
and creating your own sound effects.
"Les fous du son"
(book);
-
The film
"We Are Your Friends" about a struggling DJ, is also interesing regarding sound design.
This young DJ is taken under the wing of a world-famous DJ, who
suggests he uses organic sounds for an original vibe/music. At the end
of the movie (spoiler alert - if you actually want to see it) the
young DJ, now a bit more famous, plays at a festival. During his gig,
he uses samples recorded while jogging (wind, electric fence, etc.),
and of course, it's a hit. What is interesting is how he uses these
sounds, how he integrates them to a melody, how he looks for and
records the noises.